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Paphos Theatre Archaeological Project
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  • Home
  • The Project
    • Our approaches
    • Visualising the Site >
      • Paphos Theatre in VR
      • STARC 3D Visualisation >
        • STARC 3D Visualisation
      • Drone Footage 2017
      • Drone Footage 2018
      • Orthographic
    • 2018 Public Lecture
  • Archaeological History
  • The Team
    • Join as a Student team member
    • Volunteer Program
    • The Team in pictures
  • Research Projects
    • Zooarchaeology at Paphos
    • Recycling Paphos
    • Digital Artistic Documentation
  • Publications
    • Posters
  • Paphos Theatre Education Blog
  • The Archive
    • The Archive: Season reports and media >
      • 2019 Season Press Release
      • 2017 Season Report
    • The Archive: News and Events
    • The Archive: Cultural collaborations
  • Merchandise
  • Project Patron
  • Latest news
  • Contact Us
  • Support Us
  • Nea Paphos Colloquium III
    • Conference program
    • Abstracts
  • Images
    • Drone
    • VR
    • Excavation
    • Griffin Inv 9101
    • Griffin 9144
    • Aerial
  • Puzzles
  • Dig Life

Latest News

Old sites, new vision: art and archaeology collide in Cyprus

22/10/2017

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Team members Diana Wood Conroy and Craig Barker authored a a paper in The Conversation recently exploring the history of the Paphos Theatre Archaeological Project's work with visual artists. 

'Old sites, new vision: art and archaeology collide in Cyprus' can be read here.
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Rowan Conroy, Paphos Theatre Full Moon, April 2006.
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VIRTUAL PAPHOS THEATRE

22/10/2017

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In 2017 the Paphos Theatre Archaeological Project is proud to announce its 3D virtual reality model of the Antonine (2nd century AD) phase of the theatre of Paphos made by our good friends at LithodomosVR.

The model allows the viewer to explore a hypothetic reconstruction of the ancient theatre from three different view points.  The immersive experience is a wonderful means to allow people to experience what the theatre would have been like during its period of greatest expansion, and a great example of our commitment of public engagement with the archaeological process.
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NEA PAPHOS CONFERENCE

19/10/2017

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As part of Pafos2017 European Capital of Culture celebrations, the 11-15 October saw the city host the international colloquium Nea Paphos and Western Cyprus: New Archaeological and Historical Perspectives.  The conference was the follow up to a successful similar event held in Avignon in 2012.

Presenters and guests got the chance to hear each others' new findings, new research and current issues.

The Paphos Theatre Archaeological Project was well represented with papers from team members Dr Craig Barker, Professor Diana Wood Conroy, Dr Bernadette McCall, Anthoulla Vassiliades and Geoff Stennett.  A site tour of the Paphos theatre and the other archaeological features of Fabrika hill was lead by Craig Barker and Claire Balandier.


​The conference papers will be published in due course.  The program for the colloquium can be found here.
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Conference delegates being taken on a site tour on the 15 October.
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ARCHAEOLOGY & THE VISUAL ARTS

7/10/2017

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The artist-in-residence program of the Paphos Theatre Archaeological Project excavations has always invited visual artists to be inspired by the archaeology of the ancient theatre site.

This theme of using visual arts to present a new perspective on archaeological processes and the concept of excavation and study of materials is at the basis of the exhibition Travellers from Australia: artists in the ancient Pafos theatre which is part of the Pafos2017 European Capital of Culture festival program.

Curated by Emeritus Professor Diana Wood Conroy and Dr Craig Barker, the exhibition features work  Angela Brennan, Brogan Bunt, Rowan Conroy, Amanda Dusting, Hannah Gee, Penny Harris, Guy Hazell, Stephen Ingham, Derek Kreckler, Bob Miller, Jacky Redgate, Geoff Stennett, Lawrence Wallen, Diana Wood Conroy and LithodomosVR, all inspired by the excavation of the ancient theatre at Paphos. 

The exhibition runs at the Palia Ilektriki in Ktima Pafos between 2-15 October 2017. 
Free entry.
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