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Paphos Theatre Archaeological Project
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  • Home
  • The Project
    • Our approaches
    • Visualising the Site >
      • Paphos Theatre in VR
      • STARC 3D Visualisation >
        • STARC 3D Visualisation
      • Drone Footage 2017
      • Drone Footage 2018
      • Orthographic
    • 2018 Public Lecture
  • Archaeological History
  • The Team
    • Join as a Student team member
    • Volunteer Program
    • The Team in pictures
  • Research Projects
    • Zooarchaeology at Paphos
    • Recycling Paphos
    • Digital Artistic Documentation
  • Publications
    • Posters
  • Paphos Theatre Education Blog
  • The Archive
    • The Archive: Season reports and media >
      • 2019 Season Press Release
      • 2017 Season Report
    • The Archive: News and Events
    • The Archive: Cultural collaborations
  • Merchandise
  • Project Patron
  • Latest news
  • Contact Us
  • Support Us
  • Nea Paphos Colloquium III
    • Conference program
    • Abstracts
  • Images
    • Drone
    • VR
    • Excavation
    • Griffin Inv 9101
    • Griffin 9144
    • Aerial
  • Puzzles
  • Dig Life

education blog

Please Do Not Feed The (Animals) Archaeologists

30/10/2019

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Here in Paphos, the theatre site we are working on is one of many local tourist attractions and a couple of times a day, the bright red hop-on hop-off Paphos Sightseeing Bus pulls up briefly just outside the fence, while what sounds like a  recorded voice-over plays to its occupants. Perhaps this is a small taste of what being in a zoo feels like?

Sometimes we wave, and they wave back. Sometimes they take a photo. And sometimes people walking past will hang around the gate, curious about the site and what we are doing there. Often a member of the team will go over and have a brief chat – public archaeology and engagement unfolds quite naturally without a formal plan, and the curious visitor leaves satisfied and wishing us well, both interested and surprised that so many of us are volunteers, most of us Australians, from halfway across the world.

Paradoxically, I suspect it is that very distance from Europe that draws so many contemporary Australians to the history and culture of Europe. Because while people from all over the world have migrated to Australia since 1788; under British rule, and particularly under the White Australia Policy (which was in force from around 1901 to 1966) the vast majority of migrants were ethnically and culturally European. Their 21st century descendants are Australian citizens who cannot return for good - to the land of their forebears - without dual citizenship or permanent residency….. perhaps a parent or grandparent who was born overseas….

In contrast, the majority of tourists and foreigners in Cyprus are EU citizens from the UK and Russia/Eastern Europe – here primarily to soak up the sunshine they don’t get enough of back home. And it strikes me that given these differences, it is strangely appropriate that we are looking at each other, curiously, from both sides of the fence. And that it is the mostly Australian volunteers and archaeologists that are on display in this particular exhibit.
 
- Geraldine Higginson
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our Excavations FEATURED ON ALPHA TV

30/10/2019

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On 28 October, Alpha TV broadcast a story about our excavations. We welcomed report Maria Tsangari to the site and were thrilled to see ourselves on TV! Here is the link to the story.
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STORAGE, STORAGE 1

29/10/2019

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With more than 5000 items in inventory and well over 100,000 sherds found, sorted and bagged, one the largest challenges for the Paphos Theatre Archaeological Project has been maintaining an orderly system to enable team members and researchers to access finds.

Although all inventoried items and special finds are sent to Paphos Museum, there is the need for proper storage for thousands of archaeological contexts worth of finds for future research of amphorae, roof tiles, cooking pots, and imported Ottoman glazed ware amongst a myriad of subjects.

So in 2019 the Paphos Theatre Archaeological Project acquired a new storage facility. Lead by the indefatigable Julie Thompson-Moltzen the team have cheerfully built shelves, re-boxed deposits, inventoried locations and lifted and moved many, many boxes of finds. In coming days Julie will post some photos of the team working on storage!

​If you would like to help us with this important part of the archaeological process we are naming individual shelving units after our supporters. Yes, you too can help support our project, by 'helping to hold up' material found on site, by naming the shelving unit after yourself or a loved one (partner, friend, pet!). Donations of $40AUD or 25 Euro and over can be made to the project here (just mark it as a donation for 'shelving unit' and either your name or the person you would like to be named on the shelves). Thank you!!
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Memories of Alexander

29/10/2019

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Often when I see an interesting object from antiquity in a glass case at a museum, my first thoughts are of the time it was made; who it belonged to; and what this object meant to them. A tangible link to a person who lived a long time ago. Someone you will never meet, but you feel somehow connected to, through that very object, in the here and now of 21st century life. 

What I hadn’t considered previously is the even stronger connection that an archaeologist could feel towards something they had discovered either personally or as part of a team.

Back in Week 1 when I first started work in Trench 19G I noticed that a team mate (John) took extra care to check though the quantities of dirt we were removing from its surface. Using the pointed end of his trowel to fossick through bucketloads of dirt and rocks as they were tipped into a wheelbarrow prior to being trundled off and deposited on a spoil heap, John explained that he was extra vigilant now, having very nearly missed an important find a few years earlier at this very site. A terracotta-looking Hellenistic head in the style of Alexander the Great.

A few weeks later, I was assisting at the sorting table - just across from the conservator’s desk, when our conservator (Grace) was showing those nearby a small head she had just glued together. About the same size as a walnut shell, it was in remarkably good condition with clearly delineated facial features and curly hair, and I found myself wondering, “Was this the very same head John had mentioned in Week 1?”

The short answer is yes. And he was most pleased to see it again – now glued together in one piece.

Later that afternoon our fresco specialist, artist and archaeologist Diana Wood-Conroy came to see it and she too was delighted. Holding it briefly triggered a memory of the season it had been dug up (2014) and an amusing anecdote about something that had happened as she was recording this particular find by drawing it. Deep in concentration, a bird had landed on her head – something she said had never happened to her before or since.

Which brings us back full circle to the point made at the beginning of this post – the strength of the connection an archaeologist or volunteer could feel towards something they had discovered or worked on, either personally as part of a team. Neither Diana nor John had seen this object in the five years since it was unearthed, but their memories, and their connection to it, were part of Alexander’s story now. 

​And he a part of theirs.
 
- Geraldine Higginson

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life in the trenches

21/10/2019

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With a pouring of a wine named ‘Aphrodite’ as a libation, the first trench was opened at Paphos 2019 a few weeks ago. 

Gathered around was our dig director, Craig Barker (close your eyes, and he sounds like Russell Crowe), trench leaders with decades-long archaeological experience in far-flung locations, student volunteers, couples who had met on previous digs and gone on to forge lives in archaeology, lecturing and art (and bring their 4 and 2 year old children to the dig!), not to mention opera singers, writers, former teachers, scientists, policewomen and academics.  

Over the ensuing days, in the still hot autumn weather, we worked along-side each other - digging and excavating in the morning, or grouped around buckets of pottery in the afternoon, scrubbing sherds one-by-one.

With our trench leaders’ exhortations in our ears, we were reminded to dig across, not down; go from the known to the unknown; watch for changes in context; and dig systematically. Friendly chats or moments of focus were most commonly broken by a shriek of excitement from an enthusiastic student coming across a find: ‘OMG, it’s so cool!’

And who could deny that frisson of excitement from the strike of your trowel off a hoped-for Roman road, the flash of colour from a Medieval pottery sherd or the realisation that you had found the magic number of rocks – three i.e. a wall!

Unfortunately I had to leave towards the end of Week 3 - I was told I would avoid the Week 4 blues, and the panic and closure of Week 5. But Paphos gets under your skin and like many others before you, you know you’ll be back. 

My lasting memory will be of our first dinner, in the cool of the early evening, in the orchestra of the ancient theatre. You could almost imagine what it might have been like 2,000 years ago, relaxing and laughing as the sun set, being touched in the surrounds of this awe-inspiring building by the sublime. 

Nadia Mencinsky
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Piecing it Together: The Sorting Tables

21/10/2019

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​This season the sorting tables are laden as we examine our assemblage of material from past seasons, and make important links towards interpreting the site. 

The sorting tables on an excavation act as a hub where material that has been dug from the site is grouped together and interpreted visually, and significant observations about the assemblage are made. The tables also serve as a station where key collection management and care can be carried out. 


Boxes of finds from past seasons are are being unpacked at the tables, and finds are being laid out according to their trench and deposit number. Finds are being grouped within this according to ceramic and object type, e.g. Amphorae, Roman Red Slip, Cooking Ware; architectural fragment, tesserae, etc. 

Finds specialists from the team have been examining each deposit to establish a rough relative chronology, and to earmark key objects for addition to our inventory system and later, possible conservation and publication. It's also at the sorting tables that interesting links such as adjoining pieces of pots, or relationships of objects between and across deposits can be most clearly seen. 

Once this interpretive process is complete, finds are being repacked for storage. This is a great opportunity to inspect and replace our packing materials for deterioration over time and conditions, and to ensure labelling is checked and materials updated for longer term storage and accessibility.

- Emma Conroy
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WORK ON SITE Today

18/10/2019

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VIsitors to the site

17/10/2019

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We were pleased to welcome some familiar Australian accents to the site when a group from Renaissance Tours under the guidance of Dr Christopher Allen came to visit us.
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An army (of archaeologists) marches on Its stomach

16/10/2019

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With a team of 70 people this year we are constantly trying to find ingenious ways of feeding everyone meals.

So fig trees were a temptation to some of the team on kitchen duty and the fruits of their labour (pardon the pun) were enjoyed the next day by the team.
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Where are we digging in 2019

13/10/2019

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In 2019 the team has opened eight trenches so far.

Trench 19A is positioned above the Roman road and is a continuation of the trench begun in our last field season and designated as 17A. Trench 19A will reveal tumble collapse over the road. 

Trench 19B is a small area of the road's drain which has been revealed by lifting two small pavers. It will give us access to an area of fill of the drain approximately 50cm x 50cm.

Trenches 19C and 19D are both positioned on the eastern edge of the site close to a modern road and both are designed to pick up more of the road pavers. They will in all likelihood be expanded as the season continues.

Trenches 19E and 19F are both positioned on the top of Fabrika hill and both are designed to reveal more of a significant medieval structure revealed a number of seasons ago.

Trench 19G will expand upon the bedrock cuts associated with the foundations of the rear of the Antonine stage building, while Trench 19H is south of the theatre and deliberately positioned to attempt to pick up the next E-W road in this section of the ancient Roman city of Paphos.

There will be changes as the season progresses and there will be days of excitement in some trenches and days of frustration in some of the others, but the objective of this year is uncover a number of different aspects of Hellenistic, Roman and Medieval Paphos.
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    Bloggers

    Each season our team including the directors, students, architects, volunteers, ceramicists and other finds specialists will blog about the day to day sweat and adventures that come with life on an archaeological dig.

    Each post will be signed off by the team member and together these posts will represent the variety of expertise and experiences that happen when working overseas on a dig. 

    ​Please join in and ask any questions about the archaeological excavations, research, field methods, the island of Cyprus, food on a dig, or anything else you’re interested to know in our comments section.

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